• 09/05/2014


    jaggedart at COLLECT, at the Saatchi Gallery
    Location: 5.2

    Charlotte Hodes, ceramics & other
    Kazuhito Takadoi, grass, twigs, gold leaf, wood
    Juliet And Jamie Gutch, wood and stone
    Jude Tucker, stone
    Ivana Brenner, solidified oil paint

  • 26/04/2014

    Charlotte Hodes: New Hall Gallery Cambridge

    In association with jaggedart


    With an international reputation as an artist working through collage across different media, this new work by Charlotte Hodes has been informed by the influential 1856 book The Grammar of Ornament by architect Owen Jones, one of the most important design theorists of the 19th century.

  • 07/03/2014

    Charlotte Hodes - The Grammar of Ornament in Crafts Magazine

    Perfect Grammar

    For her latest collection of collage and ceramics, Charlotte Hodes responded to architect Owen Jones’s 1856 classic The Grammar of Ornament, and the results, says Charlotte Abrahams, are enthralling

  • 07/03/2014

    Charlotte Hodes - The Grammar of Ornament in Design Week

    By Emily Gosling

    Back in 1856, architect Owen Jones outlined his Thirty Seven Propositions – a series of ideas that set out to stop what he saw to be the tendency at the time to ‘copy’ images, without any comprehension of what made them beautiful.

    His writings went on to have a significant impact on British design in the latter half of the 19th century, and now Charlotte Hodes is casting her eye over them, reinterpreting the ideas as a 21st century woman.

  • 19/01/2014

    Rachel Shaw Ashton in The Fine Art Post