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Open a larger version of the following image in a popup: Charlotte Hodes, Fragmented Images Photography by Jake Curtis
Open a larger version of the following image in a popup: Charlotte Hodes, Fragmented Images Photography by Jake Curtis
Open a larger version of the following image in a popup: Charlotte Hodes, Fragmented Images
Open a larger version of the following image in a popup: Charlotte Hodes, Fragmented Images

Charlotte Hodes

Fragmented Images
Colour slip and hand-cut enamel
Variable dimensions

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A solo exhibition, Fragmented Images, at the Wallace Collection, London in 2007 was the culmination of work made over a two-year period as the Museum’s first Associate Artist. The papercuts...
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A solo exhibition, Fragmented Images, at the Wallace Collection, London in 2007 was the culmination of work made over a two-year period as the Museum’s first Associate Artist. The papercuts and ceramic vases drew upon primary visual research made at the Museum that explored conceptual and visual ideas in the 18th-century French fêtes galantes paintings of Watteau alongside the pictorial and ornament represented in their Sèvres porcelain collection. The resulting artworks crossing fine and decorative art practices are a contemporary take on the women as a decorative, passive goddesses.

(Courtesy of the artist)


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